Travel is an important component in my work, as it allows me to observe gradients of color, light and atmosphere in different geographical locations. On my travels, I gather ideas by making small watercolors of landscapes and taking many photographs, which become my sources of inspiration in the studio. My preferred medium in the studio is oil paint on canvas or wood panel because it lends itself well to my technique of painting. I begin with a loose under-painting and build up the surface through successive layering and glazing of colors. I react to subsequent layers until an image emerges.

As I begin a new series of paintings, I work to create landscape paintings that transcend the traditional sense of landscape and become something more alluring. I dissolve the form into color and light, leaving only what I consider to be the essence of nature. I continually examine the effects of light, form, beauty and mystery in the natural world. The dramatic effect of light that happens throughout the day sets the mood for the painting and creates a meditative atmosphere. Time of day holds emotional and spiritual possibilities. Nature becomes a source of artistic energy. I fashion images from memory and imagination, implying landscapes not necessarily seen, but felt. My paintings are grounded in a perspective associated with landscape; but rather than mirror the outside world I look inward to reveal the hidden identities and layered relationships that reflect my inner experiences.